We take a first look at (well listen to, really) “Et sted under himmelhvelvet”, a lively and darkly endearing track from Wobbler keyboardist Lars Fredrik Frøislie’s upcoming solo debut album Fire Fortellinger.
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Mice On Stilts: “I Am Proud Of You” (2023) – Album Review
With a tone that undulates between pastoral and progressive, “I Am Proud Of You” delivers a rich musical soundscape through a reflexive journey of redemption.
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Zopp: “Dominion” (2023) – Album Review
“Dominion” skillfully suffuses intricate musicianship, compositional innovation, and jazzy idiosyncrasies along and among enthralling melodic rock content.
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Caravela Escarlate: “III” (2023) – Album Review
“III” demonstrates a masterful command of instrumentation, lyrical construction, and thematic content, aping the conventions of vintage 70s prog rock but tempered with contemporary sensibilities and engaging Brazilian rhythms.
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We Came From Space: “Overlords” (2023) – Album Review
Balancing the catchy hooks of Beatlesque pop melody with a fusion of 70s rock motifs and progressive rock virtuosity, We Came In Space’s second album Overlords is a thrilling cosmic odyssey.
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Upcoming Tracks: “Cut From The Stars” – Yes (2023)
We examine “Cut From The Stars” from Progressive Rock legends Yes, the lead-off single from their upcoming album “Mirror To The Sky”.
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Great Wide Nothing: “Hymns for Hungry Spirits, Vol. II” (2023) – Album Review
Hymns for Hungry Spirits, Vol. II succeeds as a confident and diverse collection of progressive rock tracks that derives genuine hope in an increasingly unfeeling universe.
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Upcoming Tracks: “Under My Thumb” – Susanna Hoffs (2023)
Our take on Susanna Hoffs’s interpretation of The Rolling Stones “Under My Thumb”, from her upcoming covers album “The Deep End”.
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Great Wide Nothing: “Hymns for Hungry Spirits, Vol. I” (2020) – Album Review
Great Wide Nothing’s “Hymns for Hungry Spirits, Vol. I” preaches a prog-rock gospel of empathy and nuance, framing multiple perspectives of human longing in a wall of alluring melodic intricacies.
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