Prometheo: “Stupor Mundi Vol. 1” (2023) – Album Review

Summary

Delve into the fascinating story of King Frederick II’s reign as portrayed by Rock Progressivo Italiano band Prometheo in their latest release “Stupor Mundi Vol. 1”. The album (the inaugural volume of a planned two-part series) weaves a vibrant tapestry of history, storytelling, and diverse musical expression, its palpable progressive essence drawing listeners in to a compelling historical saga.

Album Info

Introduction

I never expected to be so taken by an album reveling in the history of King Frederick II (1194-1250), a thirteenth-century Holy Roman Emperor known as the “Stupor Mundi” (Wonder of the World), but therein lies the appeal of progressive music. That is to say, converging the theatrical, historical, and musical into an engaging package.

Or in this case, the appeal of Rock Progressivo Italiano band Prometheo and their latest album Stupor Mundi Vol. 1. Debuting as the inaugural volume of a two-part album series, Stupor Mundi Vol. 1 summarizes the historical period between Frederick’s birth in the Italian city of Jesi and the start of his Crusade to reconquer the Holy Land. In between we are regaled with his eclectic upbringing in Palermo, imperial crowning in Sicily and Germany, academic disposition, diverse court, and patronage of the arts, tension and conflict with the Church, relocation of Saracens to Lucera in which a majestic city rises, and his eventual excommunication from the Church. The latter of which, by the way, barely impedes his historical momentum.

While the history is undeniably intriguing, the quality of any story hinges upon its storytellers. Prometheo indulges in the trappings of RPI: strong classical, folk, medieval, and hard rock influences are distinctly evident. And of course the poetic lilt of the Italian language cannot be denied, especially when it is utilized in a dramatic or operatic capacity.

Review

The instrumental opener, “Ouverture (Ecco la Primavera)” (Overture: Behold The Spring), captures this essence succinctly, with heavy utilization of folk melodies through flute and acoustic guitar. More robust rock elements emerge through the classic guitar, bass, and drums combination, with a large symphonic component via keys and synths. “Puer Apuliae” (Child of Apulia) opens with a folk guitar melody, showcasing theatrical spoken sections and guest vocalist Faraualla portraying Frederick’s mother, Constanza, as she laments her public pregnancy. The harpsichord tones lend the song an especially baroque flavor.

“Il giovan Federigo” (The Young Frederick) is a bucolic tune reflecting the emperor frolicking in his youth. The track’s Renaissance Faire ambiance highlights the joy and wonder intrinsic to its theme, although the song transitions into a harder, more rock-based modality in its second half. A representation of his maturity, no doubt, but musically I was more attuned to its earlier, I suppose “happier” sound.

“Imperatore” (Emperor) waltzes us into Frederick’s evolution into adulthood, marking his liberation of Palermo and his ascension to the Imperial throne.. The song is a winning number, making exquisite use of guitar and flute melodies over the darker bass and mellotron tones. There’s a militaristic flair to the musical finish with its dueling guitar, organ, flute and bass to complete the musical setting.

“Lujarà” (Lucera) retains a distinctly middle eastern flavor, as it details Frederick’s displacement of Saracens from Palermo to the titular city. With Frederick’s backing, they establish a beacon of culture, art, scholarship, and prosperity. Guest musician Shahd Awayed’s evocative use of the oud drives home the mix of sadness, pride, and promise. Vocalist Andrea Tarquilio delivers a powerful theatrical performance, alongside a strong chorus of backing vocals from the band that underscore the emotional intensity of this diaspora. The entire band converges beautifully here, constructing “Lujarà” into an album standout.

‘Scomunica’ (Excommunication) delves into political intrigue, setting Frederick in opposition to the Papacy, juxtaposing imperial schemes with the theocratic. Fingerpicked minor-key guitar, harpsichord tones, flute flourishes, and electric guitar wails all battle for a measure of supremacy here, as if to mirror the power plays on display. The outro, employing Latin chants and church bells, drive this point home even further.

“La crociata degli scomunicati” (The Crusade of the Excommunicated) reflect the determination of Frederick and his crusaders to retake the Holy Land, not for the Pope but for glory of God himself. Francesco Schiavone showcases commendable bass artistry, hinting at an underlying emotional tumult, at least before the icy determination is solidified (guitarist Alessandro Memmi erupts in a commanding solo to reinforce this notion). Again, there is a strong militaristic flair that elicits imagery of soldiers mustered and preparing for a cause greater than themselves.

The album concludes with “La riconquista” (The Reconquest) expands upon themes of conquest, war, and victory. Ashley Symons provides some tasty flute work as the song transitions from its pastoral opening to an energetic prog rocker. The song crescendos to an exhilarating climax, only for the album to immediately conclude. Quite abruptly, I might say.

And in closing…

I can easily overlook the lack of resolution with Stupor Mundi Vol. 1 because, by its very nature and confirmed by the band, it represents merely the initial segment of a broader narrative. Still, it did leave me hanging just a bit there, which is about the only nitpick I have for this fantastic record from Prometheo. Stupor Mundi Vol 1. weaves a vibrant tapestry of history, storytelling, and diverse musical expression, its palpable progressive essence drawing listeners in to a compelling historical saga.

What similar albums does ChatGPT recommend?

While it behooves me to remind my readers that every word you just read is 100% Mills, let’s ask our friendly neighborhood AI for some similar album recommendations.

Given that the record in question is a historical progressive rock concept album by an Italian band, here are some album recommendations for fans of this style and thematic focus:

“Il Ludere” – Il Tempio delle Clessidre (2017)
A gem from the modern Rock Progressivo Italiano scene, “Il Ludere” showcases how Italian prog has evolved while maintaining its signature elements. With Elisa Montaldo leading the charge, the band balances rich keyboard work with dramatic vocals, intricate instrumentals, and compelling songwriting. The album, as with much of RPI, leans heavily on atmosphere and mood, making it a treat for those who appreciate evocative musical tales.

“Folklore” – Big Big Train (2016)
This album provides a deep dive into British history and landscapes. “Folklore” remains anchored in real tales, focusing on the beauty of the UK’s nature, its stories, and traditions. Its combination of lush instrumentation and evocative storytelling stands out.

“Weather Systems” – Anathema (2012)
The UK band Anathema offers an emotionally charged and atmospheric album in “Weather Systems”. It’s about life’s highs and lows, capturing moments of love, grief, and introspection through beautifully crafted songs.

“In Times” – Enslaved (2015)
Though rooted in black metal, the Norwegian band Enslaved has significantly evolved over the years, incorporating progressive elements. “In Times” subtly incorporates elements of Norse history and their cultural past, making it a fascinating listen for those interested in historical musical undertones without overt fantasy elements.

“The Clockwork Fable” – Gandalf’s Fist (2016)
While it flirts with steampunk aesthetics, this album’s heart is rooted in the people and tales of a subterranean city. It’s an engaging listen with rich instrumentation, emphasizing character-driven narratives and world-building.

Output from ChatGPT, OpenAI to Mills 28 July 2023