If you’re aligned with a convergence of 1972-ish Sabbath and Floyd, 90s indie rock/grunge, and whatever else The Sleeping Legion tossed into this bubbling sonic cauldron of creepy concordance, “The Last Transmission” delivers an epic psychedelic doom metal ride of cosmic terror and sci-fi derring-do.
Read moreNickel Creek concert review? Not quite…
Well… fudge.
Read moreSpace Kitchen: “Space Kitchen” (2023) – EP Review
Deftly showcasing this musical duo’s ability to construct catchy tunes alongside more unconventional pieces, their self-titled debut EP “Space Kitchen” endeavors to engage both the worlds of indie melodic pop and innovative progressive rock, successfully actualizing their “garage prog” ethos with an engaging collection of tunes.
Read moreM-Opus: “At The Mercy Of Manannán” (2023) – Album Review
M-Opus infused the prog styles of 1972 with epic Celtic mythology in the genesis of their latest album “At The Mercy Of Manannán”. A deep-dive into a refracted vision of musical yesteryear, the band delivered a thrilling and fresh-sounding album, weaving their contemporary reimaginations of these various influences into the creation of an inventive musical narrative.
Read moreCrown Lands: “Fearless” (2023) – Album Review
“Fearless” from Canadian duo Crown Lands wears its Rush homage high up on its vest, but retains a character that is less defined by the music of the past, and more derived from it. A captivating sonic adventure, “Fearless” picks up and runs with the classic Rush baton, but skillfully weaves other influences into the band’s contemporary tone and vision, resulting in a diverse and highly satisfying experience.
Read morePaul Gilbert: “The Dio Album” (2023) – Album Review
Rock guitar virtuoso Paul Gilbert (Mr. Big, Racer X) covers a dozen amazing Ronnie James Dio tunes in a collection of guitar-driven heavy metal instrumentals. These Rainbow, Black Sabbath, and Dio classics remain sacred and nigh-untouchable, but Gilbert imbues the project with passion, energy, and his signature impeccable shredding.
Read moreOverhead: “Telepathic Minds” (2023) – Album Review
Accentuated by the timeliness of its subject matter and immersive themes of war, conflict, loneliness, despair, and the destructive obfuscation of reality, “Telepathic Minds” is a deeply compelling (yet buttkickingly rockin) prog epic.
Read moreNickel Creek: “Celebrants” (2023) – Album Review
Nickel Creek’s most stark and cohesive album to date, “Celebrants” enthralls and entertains but emboldens itself in challenging and defying expectations.
Read moreEyeless Owl: “Murmurations” (2023) – Album Review
Murmurations from Eyeless Owl delivers a frenzied flurry of symphonic prog, math rock, ambient, avant-garde, samba, jazz… a joyful eruption of multicolored feathers in flight.
Read moreRiverside: “ID.Entity” (2023) – Album Review
From quiet nuance to explosive metal anger, ID.Entity bleeds emotional verisimilitude amid heavy progressive melody.
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