Space Kitchen: “Space Kitchen” (2023) – EP Review

Mills Album Reviews, Music

Deftly showcasing this musical duo’s ability to construct catchy tunes alongside more unconventional pieces, their self-titled debut EP “Space Kitchen” endeavors to engage both the worlds of indie melodic pop and innovative progressive rock, successfully actualizing their “garage prog” ethos with an engaging collection of tunes.

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M-Opus: “At The Mercy Of Manann​á​n” (2023) – Album Review

Mills Album Reviews, Music

M-Opus infused the prog styles of 1972 with epic Celtic mythology in the genesis of their latest album “At The Mercy Of Manann​á​n”. A deep-dive into a refracted vision of musical yesteryear, the band delivered a thrilling and fresh-sounding album, weaving their contemporary reimaginations of these various influences into the creation of an inventive musical narrative.

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Crown Lands: “Fearless” (2023) – Album Review

Mills Album Reviews, Music

“Fearless” from Canadian duo Crown Lands wears its Rush homage high up on its vest, but retains a character that is less defined by the music of the past, and more derived from it. A captivating sonic adventure, “Fearless” picks up and runs with the classic Rush baton, but skillfully weaves other influences into the band’s contemporary tone and vision, resulting in a diverse and highly satisfying experience.

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Paul Gilbert: “The Dio Album” (2023) – Album Review

Mills Album Reviews, Music

Rock guitar virtuoso Paul Gilbert (Mr. Big, Racer X) covers a dozen amazing Ronnie James Dio tunes in a collection of guitar-driven heavy metal instrumentals. These Rainbow, Black Sabbath, and Dio classics remain sacred and nigh-untouchable, but Gilbert imbues the project with passion, energy, and his signature impeccable shredding.

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